Lace on the Haystack

The bride wore the sweet smell of acacia
Like royal robes, with dignity.
The summer was sleeping in her copper curls
The honey was melting on her tongue.
Her breath—a healing whiff,
Her eyes—crystal vials
Keeping secrets.

***

Chain Reaction

Yesterday,
I wanted to memorize you
Cutting red jalapeños
On the kitchen board.
Because
The spirit always conquers the flesh
It’s the charming chrysanthemums
In your lap
That will make me panicked tomorrow.
If you lick your wounded finger today,
Your blood will clasp my throat,
My saliva will heal your pain.

Vyarka Kozareva lives in Bulgaria. Her work has appeared in Adelaide Literary Magazine, Ariel Chart, Poetry Pacific, Basset Hound Press, Bosphorus Review of Books, Mad Swirl, Ann Arbor Review, Fevers Of The Mind, Juste Milieu Lit, Trouvaille Review, Aberration Labyrinth, Triggerfish Critical Review, Sampsonia Way Magazine, and Synchronized Chaos Magazine.

Summer Morning

On a summer morning
I witnessed dew on the grass
The air was crystal cool
In my mind, I bent down
And let the elements do with me
What they will

Sun-drenched dewdrops
Birthed from their lushness
Wandered into the crevices
Of my heart, emanating
Glow-in-the-mornlight
Bioluminescence

They showed me The Way
Of my future
Sang it to me
With just as much Cackling
As Wisdom

Jennifer Klein is an American writer. Poetry is one of her favorite ways to make social commentary and merge her inner and outer worlds. Her poems have been featured in Fahmidan Journal, Bombfire, and elsewhere. She studied English, Dutch Studies, and Norwegian at Indiana University Bloomington. Follow her on Instagram @JenniferKleinReal

Meteorologist on a Calm Day

I can’t even speak about clouds,
the sky an unforgiving blue.
I climb the sun’s gold ladder
to heaven—but it’s empty. 
Everyone returned to Earth

to enjoy a perfect day.  No wind,
just a slight breeze to tease open
the eye of a violet.  An angel
almost slipped on morning dew,
but it grabbed onto a lilac
just in time.  I’m probably

the only sad person, rain far away. 
I could indicate what might
appear in tonight’s sky.  Look up

and see Jupiter, a world
with real weather,
a huge red spot gashed into it
for centuries.  Or Neptune
with 2000mph winds. 

What can I offer but 75 degrees
and a bluebird preening
on a flagpole?

***

Nude Philosopher

I peel off my clothes.   
Under fabric, the same old me,
breathe in, breathe out, cars
roll by, and my parrot theorizes
on my shoulder.  I think

that I think better naked,
but my ideas come fully dressed,
soldiers in formation.  Why
did I tell them that they could
live with me?  It’s time
that they fledge, make their
own nests.  Usually I keep

each room dark.  A light bulb
hangs down by my bed.  I turn
the day on and off.  I’m often
asked about the meaning of life. 
I point to the sky and say
“Clouds.” 

I guess it sounds deep. 
My favorite flower
is a dahlia.  Blossom and go. 
Redden something along the way. 

Kenneth Pobo (he/him) is the author of twenty-one chapbooks and nine full-length collections. Recent books include Bend of Quiet (Blue Light Press), Loplop in a Red City (Circling Rivers), Lilac And Sawdust (Meadowlark Press), Lavender Fire, Lavender Rose (BrickHouse Books), and Gold Bracelet in a Cave: Aunt Stokesia (Ethel Press).

Arvilla Fee teaches English and is the poetry editor for the San Antonio Review. She has been published in numerous journals, and her poetry book, The Human Side, was released this month. For Arvilla, writing has always been about making connections with ordinary people who will say, “She gets me.” 

Cracks Run

Grass in pavement cracks
runs across the black top
like green rivulets of lava
surging, overflowing banks,
creating new avenues
until weed killer spray
browns growth in its tracks;
sea water blackens
molten stone into granite plugs
as steam scowls skyward
until somewhere else a shift
in surface sprouts another crack,
and dormant roots seek escape.

Diane Webster’s goal is to remain open to poetry ideas in everyday life, nature or an overheard phrase and to write. Diane enjoys the challenge of transforming images into words to fit her poems. Her work has appeared in El Portal, North Dakota Quarterly, Eunoia Review, and other literary magazines. She also had a micro-chap published by Origami Poetry Press.

In That Moment of Clarity

Body of moon, body of light. That
central point moving ever outward
through avoided bliss. No one
suited you. Spring became autumn
and your hair thinned as the soil
dried, inept, harsh, a howl caught
at the throat of the blurred lens
in the owl-eye of contention. Missteps
expanded in tongue-slipped days,
and you slurred forward. Yesterday’s
lapse. Today’s misdeed. Another’s
intent. My mistake was living.

***

Hearse, Departing

Not waiting for God. Nor that light
glancing off the windshield,
leaving us farther behind
in the blurred passage. Grief
is a cold engine, a stump,
a daily migraine. Not force
but absence. Gray sky
clamping down on the
sun-starved chrysanthemum.
Our goodbyes, incomplete.

***

In This Gray Morning I Think of Hiroshige

Hummingbirds pause at the agave blossoms.
Sunlight trickles through dense clouds.
I stand sweating in the emptiness.
Hiroshige, too, acknowledged oblivion,
leaving his brush in the East, having
completed a final task. Facing death,
he sought the Western Land. In this space
nothing fills me with desire. As you,
in your unknowing, observe the flow.

Robert Okaji lives in Indiana among hundreds of books, with his wife, stepson and cat. His most recent chapbook, Buddha’s Not Talking, won the 35th annual Slipstream Poetry Chapbook competition, and his work has recently appeared in Threepenny Review, orangepeel, Lakeshore Review, Evergreen Review, and other venues.

Dialogue with the Moon (After Li Po)

After last night’s frost,
autumn leaves die fast.
The days are brief.
The nights are long.
I drink a glass of wine
to forget the past.
I speak to the dead moon
in an uncomprehending sky.
In a freezing rain, leaves
blow over your grave.
You were forty-five,
But no one
is too young to die.

***

In the Middle of the Night (After Tu Fu)

The sky is a clock
without a face, as the day
ticks to a conclusion.
Some stars appear.
Hanging in the air
like lanterns, lighting
the way to nowhere.
The river meanders
in haphazard fashion,
without cares,
without dreams,
without passions.
An owl awakens,
leaving his tree,
searching for a victim.
For some tiny creature,
it will be the last night
of his unmemorable life.

***

October Night (After Tu Fu)

A black fog hangs
like a disease
from the frozen trees.
If I could, I would pray,
but what would I say?
The sky turns dark,
as if hiding unspeakable sins.
Leaves fall
from my sapless trees.
They shudder, dancing
to death in the night air.
A solitary raven
circles the darkening sky.
He glides with a purpose.
He doesn’t look at me.
And as winter closes in,
his thoughts are deadly.

George Freek’s poetry appears in numerous Journals and Reviews. His poem “Written At Blue Lake” was recently nominated for a Pushcart Prize. His collection Melancholia is published by Red Wolf Editions.