From Behind the Postmaster’s Window
(an internal monologue, bored to death these last 32 years)
I can hear those fishes
calling out my name.
Oh, to be out on that lake
right now on this pretty day,
this pretty pretty day,
out there on that lake—
me, my rod and reel,
and those fishes,
insteada stuck here
behind this counter
asking would you like
a book of stamps with that like
the kid does at the McDonald’s
asks would I like fries with that.
René Saldaña, Jr., is an associate professor of Language, Diversity, and Literacy Studies at Texas Tech University. He is the author of several books, among them The Jumping Tree, A Good Long Way, and Heartbeat of the Soul of the World. René writes that “From Behind the Postmaster’s Window” is a found poem, a conversation he eavesdropped in on.
At the Great Library
Amid the guards and neoprene
I studied a holograph copy
of Waiting for Godot
transcribed in unreadable
scrawl. But instead of placing
my hand on each page and briefly
closing my eyes, I should have
grabbed the book and run—
for I was hungry, and no one
was waiting for me.
After a rather extended and varied second childhood in New Orleans, Matt Dennison’s
work has appeared in Rattle, Bayou Magazine, Redivider, Natural Bridge, The Spoon
River Poetry Review, and Cider Press Review, among others. He has also made short
films with Michael Dickes, Swoon, Marie Craven and Jutta Pryor.
The Singular Plural
Life in smithereens, the studio rental
crooning the acoustics of loneliness.
Blame genetics: no way could I master
the mechanics of dating, the politics
of romance, the logistics of sexual
physics. But I yearned to be in cahoots
with someone. First date, full of jitters,
trying to decide what clothes
to wear, putting my pants on one scissors-
kick at a time, glasses new and cool . . .
it was all shenanigans, this suffering
the semantics of desire. Until now,
the good news. Thanks, my love,
for enduring my poetics, for making
the singular plural.
Barry Peters lives in Durham and teaches in Raleigh, NC. Publications (some forthcoming) include The American Journal of Poetry, Best New Poets 2018, New Ohio Review, Poetry East, and Rattle.
with the poetry
of my long walk
slips off the
down the round hole…
when I tell her,
she states, laughing,
“now, they’re holey poems!”
standing silently watching
a passenger train rolling by…
passenger train rolling…
should I be on it?
come, sacred footsteps,
and gather up this world’s
original voice, reaffirming
the sanctity of origins
within the song of
and necessary decency
of our decision
to be human
ayaz daryl nielsen, veteran and former hospice nurse, lives in Longmont,
Colorado, USA. Editor of bear creek haiku (30+ years/155+ issues) with poetry
published worldwide, he is online at: bear creek haiku: poetry, poems and info.
Among other deeply appreciated honors, he is especially delighted by the depth and heart of poets worldwide whose poems have a home in bear creek haiku’s print and online presence.
Back Seat Talk
Now it is the great-grandsons,
years after sons and then granddaughters,
always excited talk and song,
now video game updates
and online consultations,
and always such youth
is cheering, each moment offering
a promise of adventure. We did not,
in our day, spend much time
being transported, except for
rare trips to visit relatives.
No one ever listened to us.
There were two worlds . . .
ours of us outside
and theirs of them inside
or in the garden
or on the front porch.
Houses were two-storied
you might say. But still,
I was a listener in their world, too,
choosing to sit at the edge
of the grownup gossip, ignored.
Nor did they pay much attention
to our doings. Ours was
the little world, full
of our own “sound and fury.”
My 11-year-old great-grandson’s voice,
the other night, came from behind me.
“You never cry.” And when I disagreed,
he wanted to know when and why.
The four-storied universe of our ancestors
–heaven, earth, Hobbit Land and hell–
has been breached, but to understand,
________________we still need a translator.
Carol Hamilton has recent and upcoming publications in San Pedro River Review, Pinyon, Sandy River Review, Commonweal, Bluestem, Southwestern American Literature, Pour Vida, Adirondack Review, Broad River Review, Shot Glass Journal, Poem, The Sea Letter, Abbey, and others. She is a former Poet Laureate of Oklahoma.
Reflections of the 1967 Detroit Uprising: White Upriser on Griswold
Cops? The common enemy.
A cop who cuffed my brother
beat him back to ’63
for the nickel bag he stuffed in his pocket.
Race riot? It was
to the untouched liquor stores and pharmacies.
No one messed with me.
I was just one of one hundred
All my long hair,
blowing through stoplights.
All my give-a-fuck stuffed in a Rambler
with three Zeniths, five shotguns,
eight cases of who-knows-what
clinking with each bump.
Every cop I passed just stood,
slack-jawed, watching me
give him the finger,
the peace sign,
clenched fist and jaw.
Paul David Adkins lives in Northern NY. In 2018, Lit Riot published his collection Dispatches from the FOB. Journal publications include Pleiades, River Styx, Rattle, Diode, Baltimore Review, Crab Creek, and Whiskey Island. He has received five Pushcart nominations and three finalist nominations from Central NY Book Awards.
Rob Plath is a writer from New York. He is most known for his monster collection A BELLYFUL OF ANARCHY (epic rites press 2009). His newest collection is MY SOUL IS A BROKEN DOWN VALISE (epic rites press 2019). You can see more of his work at robplath.com
Some movies are endlessly quotable
like The Princess Bride
or Groundhog Day. Some references
are so ingrained I can’t recall
where they come from. In the showroom,
I babble to my wife and son. Describe
a checkered lampshade as retro. A moment later,
I hear the word retro echoed back to me
in a stranger’s language. In passing,
I hear it again, my word:
minimalistic. I feel powerful,
a puppet master; a maker of persons,
I name my son Theodore and a first
cousin names her son the same.
I name my daughter Naomi, sit back and wait.
Cameron Morse was diagnosed with a glioblastoma in 2014. With a 14.6 month life expectancy, he entered the Creative Writing Program at the University of Missouri–Kansas City and, in 2018, graduated with an M.F.A. His poems have been published in numerous magazines, including New Letters, Bridge Eight, Portland Review, and South Dakota Review. His first poetry collection, Fall Risk, won Glass Lyre Press’s 2018 Best Book Award. His three subsequent collections are Father Me Again (Spartan Press, 2018), Coming Home with Cancer (Blue Lyra Press, 2019), and Terminal Destination (Spartan Press, 2019). He lives with his pregnant wife Lili and son Theodore in Blue Springs, Missouri, where he manages Inklings’ FOURTH FRIDAYS READING SERIES with Eve Brackenbury and serves as poetry editor for Harbor Review. For more information, check out his Facebook page or website.